Our Resource Room

As part of our commitment to promote a better understanding of Chinese dance as an art form in Singapore, we are delighted to announce the launch of an online resource centre for Chinese dance. Our primary objective is to provide researchers, artists, students, and community members with easy access to a broad range of resources, information, and support to promote the growth and development of Chinese dance in Singapore.

Our online resource centre features a growing collection of programme booklets of Chinese dance events in Singapore, contributed by various organisations and members of the public. In the near future, we plan to expand the resource centre to include access points to articles, books, research papers and videos related to Chinese dance.

We believe that our online resource centre will have a positive impact on the community and contribute to the growth and development of the arts. We are committed to making this initiative a success and welcome contributions of resources from the community. Please email us at admin@scdt.com.sg if you would like to contribute to our resource centre.

Disclaimer: The copyright of the information belongs to the respective artists and creators. If your work is featured in our resource centre and you would like it to be removed, please email us at admin@scdt.com.sg. We respect the rights of all artists and creators, and we will promptly remove any works upon request.

PROGRAMME BOOKLETS

Ai Tong Alumni Association

Arts Theatre of Singapore (p.k.a Singapore Amateur Players)

ASEAN Committee of Culture and Information

Chin Kang Dance Troupe

Chinese Dance Artistes‘ Association

Chong Pang Community Club Chinese Cultural Dance Troupe

Chongfu Alumni Association

Dance Ensemble Singapore

Dance Horizon Troupe, Singapore

Hong Lim Green Community Centre Dance Troupe

Hwa Chong Alumni Association Dance Club

Leng Kee Dance Troupe

Nanyang Academy of Fine Arts Schools of Performing Arts

Nanyang Fang Shee Association

National Arts Council, Singapore

National Dance Company

National Theatre Chinese Dance Company

National Theatre Club

National Theatre Trust

National University of Singapore Chinese Dance

Nrityalaya Aesthetics Society Chinese Dance Group

Oriental Arts Troupe

Pasir Panjang Cultural & Arts Troupe

People's Association

People's Association Dance Company

Practice Performing Arts School

Singapore Chinese Dance Theatre

Singapore Dance Circle

Singapore Federation of Chinese Clan Associations

Singapore Foo Chow Association

Singapore Hokkien Huay Kuan Dance Troupe

Singapore Hui Ann Association

Singapore Phoenix Dance Troupe

Singapore Polytechnic Chinese Language Society

Singapore Press Holdings

Singapore Seow Tin San Athletic Association

Singapore Teachers' Folk Dance Society

Southern Arts Society

Ta Ge Dance Theatre

Tampines Arts Troupe

Theatre Arts Troupe

Wu Yue Dance Studio Arts Troupe

Xinyi Dance Company

Yan Choong Lian Dance Troupe

Yuying Secondary School Alumni Dance

NEWSPAPER CLIPPINGS

National Theatre Chinese Dance Company

Singapore Hokkien Huay Kuan Arts and Cultural Troupe (Dance)

LIST OF CHINESE DANCE TROUPES AND ORGANISATIONS

Chin Kang Association Dance Troupe

The Chin Kang Association Dance Troupe was established in June 1977 with the aim of promoting cultural activities in our country and promoting traditional cultural arts of various ethnic groups through dance.

Since its establishment, the dance troupe has actively participated in various performance activities. They delivered splendid performances at the Singapore Dance Festivals in 1983, 1985, 1989, and 1991 and have been invited to perform in National Day Celebrations and Anniversary events of organisations and community events such as the "Chinese Cultural Month" and the "River Hongbao".

In 1978 and 1989, the dance troupe visited West Malaysia with the Association and presented spectacular dance performances.

In 1991, the dance troupe collaborated with the Shanxi Song and Dance Troupe of China and the National Theatre Chinese Dance Troupe to participate in a large-scale waist drum dance performance choreographed by Feng Yumei, a famous choreographer from Shanxi Province, China. They performed enthusiastically at the opening ceremony of "River Hongbao", graced by former Prime Minister Goh Chok Tong. Furthermore, they participated in the closing performance of the "World Trade Organization Ministerial Conference" in 1996, presenting the dance "Eternal Love" choreographed by Yin E Ding.

Gan Beng Lee has been serving as the instructor since 1982. In order to improve the dance skills of its members and deepen their understanding of various ethnic dances, the dance troupe often invites renowned dancers from home and abroad to teach its members. They have invited instructors such as Zheng Shuzheng and Qiu Peijiang from Hong Kong, as well as local Indian dance choreographer Bhaskar and Malay dance choreographer Som Said for short-term teaching and choreography. Additionally, they are registered members of the National Arts Council's Arts Education Program, spreading the seeds of art through performances in various schools.

The dance troupe hopes to cultivate more people interested in dance performance art and improve the quality of its dancers.

Reference:

1. Chin Kang Dance Troupe. (2002)《舞影翩跹》Wu Yin Pian Xian.

Chinese Dance Artistes' Association

The Chinese Dance Artistes Association (CDAA) was established in 1984 with the goals of uniting and coordinating dance activities among Chinese dance groups in Singapore and elevating the standard of local Chinese dance. In 1992, CDAA joined the People's Association (PA) as a corporate member to broaden its outreach by promoting Chinese dance as a community cultural activity.

Over the years, CDAA has organised numerous dance activities, including performances, training courses, forums, and exchanges to promote local Chinese dance.

From 1990 to 1994, under the initiative of the late Mr. Tay Hong Lim, CDAA developed a graded dance syllabus for local students, drawing inspiration from overseas graded syllabi. This syllabus was subsequently introduced in both Singapore and Malaysia.

In 1993, in response to the Chinese Cultural Festival, CDAA co-organised the “Chinese Cultural Dance Nite" with Hong Lim Community Centre Dance Troupe which attracted 59 local dance groups to put up 8 dance performances. They continued similar efforts in 2003 and 2004 during the Mid-Autumn Celebration at Hong Lim Park and West Coast Park to foster public interest in traditional Chinese culture.

Since 1994, CDAA has been organising the biennial "Dancing in Unity" performances, showcasing works by local dance artists. This event has been successfully held 11 times to date. In 1999, CDAA organized the National Chinese Dance Competition, attracting 34 dance groups and 300 participants. Another notable project, "Anyhow Arts?", was conceptualised in 2006 to provide a platform for young choreographers and dancers to express their passion for dance. This project has been held annually in collaboration with the local dance company, Dance Inspiration.

Beyond local activities, CDAA has led local dance groups and members on team bonding, exchange, and performance trips overseas since 1991, visiting countries such as Malaysia, Cambodia, Vietnam, China, India, and Nepal. Starting in 2011, CDAA also assisted PA in mobilising performers to participate in the Chingay Parades.

Recognising the evolving landscape of local dance, CDAA organised forums in 2012 and 2013 to stimulate discussion and resonance in the local Chinese dance community. Through these efforts, CDAA has significantly contributed to the promotion and development of local Chinese dance and the preservation and advancement of Chinese culture.

Reference:

1. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity

2. Chinese Dance Artistes' Association. (2015)《鹤舞共鸣》Dancing in Unity

Chong Pang Community Club Chinese Cultural Dance Troupe

Since its inception in 1987, the Chong Pang Community Centre (CC) Chinese Cultural Dance Troupe has flourished under the guidance of its instructor, Ms. Lee Bee Choo, and the support of the CC's management committee.

The Troupe has staged two major productions, "Soaring Ecstasy of Dance," at the Victoria Theatre in 1998 and 2007. Additionally, it has participated in numerous performances of varying scales both within and outside the constituency. Notable performances include those at Chinese New Year celebrations, cultural and festive celebrations, National Day celebrations, "River Hongbao," "Singapore Arts Festival," and "Dancing in Unity."

The Troupe is also a regular participant in the Chingay Parade, where it won the Best Traditional Culture Award for its 1993 performance. Furthermore, the Troupe showcased its talent internationally by participating in the Osaka 21st Century Parade "Midosuji Parade" in Japan in 1993 and the Cultural Exchange in Balai, Indonesia in 2004.

All of the Troupe's performances have been well received by audiences and organisers alike.

Reference:

1. Chinese Dance Artistes' Association. (2012)《鹤舞共鸣》Dancing in Unity.

Dance Ensemble Singapore

Dance Ensemble Singapore (DES) was founded in July 1993 with the aim to present multifaceted Chinese dances and to spread cultural messages infused in Chinese arts and culture. Through DES Performing Academy, the company grooms the next generation of Chinese Arts practitioners by offering dance and martial arts classes. DES has also taken part in numerous major performances, such as Singapore Arts Festival, ASEAN Dance Festival, National Day parade, and Chingay parades. The company has also represented Singapore on diverse international cultural exchanges and festivals of varying scales.

In 2004, with the goal of professionalising its craft, DES established a professional Contemporary-Chinese Dance division, DES Arts. At the helm of Mdm Yan Choong Lian (Artistic Advisor), Sharon Low (Dance Director), Cai Shiji (Creative Director), and Goh Yan Dan (Programme Director), DES Arts actively strives for opportunities to diversify its artistic scope for creative mastery in the development of DES Arts and its journey towards the international stage.

In recent years, DES Arts has been actively promoting the ‘Nanyang’ Style of Chinese Dance. The subsidiary was highly commended by Prime Minister, Mr Lee Hsien Loong, during the 2014 National Day Rally for its innovative interpretation and style, as well as for unceasing efforts in pushing boundaries in the local arts and cultural scene. Another of DES Arts’ exemplary full-length work, Motifs: Traces IV (2015), received an exclusive media coverage by Channel NewsAsia Singapore, and was specially invited to perform at the South Korea International Dance Festival.

DES hopes to transcend boundaries in the promotion of Chinese dance and culture. Through nurturing the next generation of practitioners, spreading cultural values and innovation, DES continues to present works that embodies the spirit of excellence, wisdom and depth.

Reference:

1. Dance Ensemble Singapore. (2022)《雕型塑心》Amalgamate.

Dance Horizon Troupe (Singapore)

Dance Horizon Troupe (Singapore) DHTS was founded in 20 August 2001, by Mr. Henry Ng Chay Kuang, the Artistic Director and an established dance educator and choreographer at that time to provide a platform to nurture dancers and to promote the local arts scene.

Today, DHTS has forged a strong presence on national and international levels, where we frequently participate in community festivities, charity events, national arts initiatives and international arts festivals such as in Hong Kong (International Cultural and Arts Festival 2007), Europe (New Praha Dance Festival 2008). Malaysia (Genting International Arts Festival 2008), South Korea (Collaboration with Guim City Dance Company in 2011 in Incheon, Andong Maskdance festival 2013 and 2014 in Andong). Taiwan (Nanying International Folklore Festival 2010 and 2012), the Philippines (Dance Xchange 2012) and Indonesia (Solo International Performing Arts 2015), The troupe's annual large-scale productions, such as D.ecagon (2011), Trio (2012), Dance Quartet (2013), New Horizon (2014), Saltation (2014), Roundabout (2015), 15 (2016) and Hello! Goodman! (2017), mark and celebrate our growth and contributions to the local arts scene.

The encouraging responses from both dance and non-dance enthusiasts have spurred DHTS to transcend its boundaries in each of its productions. This led the troupe to produce numerous dancers and choreographers who are active contributors to the arts, and they go in hand with the troupe to disseminate our identity and local contemporary form across borders.

Reference:

1. Singapore Chinese Dance Theatre. (2015)《藝薪艺意》Rooted | A Triple Bill.

Elements Dance Arts

Formed in 2015, Elements Dance Arts was originally known as the Hwa Chong Chinese Dance Alumni, is a semi-professional Chinese Dance collective in Singapore. Built on the bonds forged through dancing together, as well as a common passion, the collective was formed as a space for its members to pursue the art form years after graduation.

The collective aims to use Chinese Dance as an art form to speak about contemporary issues, using contemporary elements in creation, whilst being rooted in traditional Chinese Dance techniques.

In addition to presenting "Stages 2016" and "Stages 2019: Three Bodies / Herstory", the dance group has also performed at events such as "Moonfest 2016 and 2019", "Huayi - Chinese Festival of Arts 2017", and "Mid-Autumn Festival at Gardens by the Bay 2018".

Reference:

1. Elements Dance Arts Facebook Page.

2. Elements Dance Arts Youtube Channel.

Evelyn Dance Expression

From its beginnings at Havelock Community Centre in 1982 to its current base at Kreta Ayer Community Centre, Evelyn Dance Expression has steadily made its name in the dance and performing arts field. The training programs encompass Chinese classical dance, modern dance, and tumbling. Through the rigorous training and unique choreography of Ms. Leow Chai Foon, the dancers have developed exceptional physical expression and technical skills. Supported by Kreta Ayer Community Centre, the group actively participates in community performances, consistently earning positive feedback.

Reference:

1. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity.

Eunos Community Club (CC) Chinese Dance Troupe

Established in 2002, the Eunos Community Club (CC) Chinese Dance Troupe was founded under the guidance of Ms. Ong Wan Mei and her students. The Troupe's training is primarily based on the Beijing Dance Academy Chinese Dance Grading Examination Syllabus.

The Troupe incorporates Chinese Folk Dance and Classical techniques, emphasizing a solid foundation and the development of artistic expression. Their objective is to discover and nurture potential talents in the art of dance. To foster a deeper understanding and appreciation of dance, students are encouraged to actively participate in various performances.

Some of the events that we performed at include Eunos Town Day, Aljunied GRC National Day Dinner, Civil Defence Day Performance, Racial Harmony Day Performance, International Events (8th International Children Festival of Performing Arts at India; New Delhi), Cultural Expo 2009 in Celebration of H.M. The Queen's Birthday in Bangkok; Thailand, Yuying Secondary School Alumni's Exuberance in Dance 2004, 2008 and 2011, Singapore Heritage Festival 2011, Mid-Autumn Festival by The River 2011, Moonfest 2011 and Dancing in Unity 2010 and 2012.

Through these performances, the Troupe continues to promote and celebrate the rich traditions of Chinese dance, providing its members with valuable opportunities to develop their skills and share their art with diverse audiences.

Reference:

1. Chinese Dance Artistes' Association. (2012)《鹤舞共鸣》Dancing in Unity.

Hong Lim Green Community Centre Dance Troupe

Hong Lim Green Community Centre Dance Troupe was once Singapore's most dynamic dance group under People's Association. With the encouragement of the late Mr Ong Pang Boon, Member of Parliament for Telok Ayer and the full support of the Community Centre Management Committee, the company was established on 30 July 1983 to promote healthy recreational activities and bring the performing arts to the people to enhance and promote the standard of dance and performing arts in Singapore.

In the early days of the company, three enthusiastic dancers, Ms Ong Choon Mui, Ms Ng Siew Beng, and Ms Lee Pang Luan were the instructors and choreographers of the troupe. From 1988 onwards, Ms Ong Choon Mui became the sole in charge of the troupe.

Until 1993, the Troupe organised dance evenings such as “Fang Lin Lv Yin Wu Pian Pian"、"Chinese Cultural Nite", "Huan Xin Wu Dao Wan Hui", A Evening of Dance", "Chinese Dance Night", etc. Besides, the troupe was also invited to participate in performances organised by various cultural organisations, "River Hongbao", television stations and Tourism Board, etc. The troupe was also selected to perform in the Dance Festivals of 1983, 1985, and 1987. In 1992, the Troupe was Invited to Penang for a cultural exchange performance.

Reference:

1. Lianhe Wanbao. （1983）扩展舞蹈需要舞蹈团. Lianhe Wanbao.

2. Hong Lim Green Community Centre Dance Troupe. (1986)《细流奔向海》An Evening of Chinese Dance.

3. Hong Lim Green Community Centre Dance Troupe.（1993)《飞腾舞集》"Chinese Dance Night.

4. Lianhe Zaobao. (1993) 《舞到民间》 Chinese Dance Nite. Lianhe Zaobao.

Hwa Chong Alumni Association Dance Club

Established in 2019, the Hwa Chong Alumni Association Dance Club (HCAAD) aspires to connect Hwa Chong alumni through a shared passion for dance. Initially focused on Chinese Dance, HCAAD has since expanded its repertoire to include Modern Dance and Street Dance. This evolution reflects the club’s commitment to sharing the beauty of Chinese culture while embracing and celebrating the diversity of dance in its many forms.

Since its inception, HCAAD has participated in numerous school performances and been invited to perform at events such as the "Huayi - Chinese Festival of Arts 2022" and the "Chinese Dance Fiesta" in 2022, 2023, and 2024.

In 2023, HCAAD staged its first dance production, "Qia Tongxue Shaonian - Yuanmeng Pian," featuring over 70 dancers from 15 batches of alumni. This production marked a significant milestone, showcasing the talent and dedication of its members across generations.

Reference:

1. Hwa Chong Alumni Association Dance Club. (2023)《恰同学少年 - 圆梦篇》Qia Tongxue shaonian - yuanmeng pian.

Kampong Chai Chee Community Centre Dance Troupe

In the early days of the Kampong Chai Chee Community Centre, Chinese dance classes were organised to cultivate interest among its residents. During that period, there were several changes of instructors and a high mobility of members. It was not until 1982, when Wong Rongxin took over, that the number of members reached about 18, with dance experience ranging from one to four years. The group spared no effort in promoting dance activities and was often invited to perform in neighbouring constituencies. Although the Troupe members had different experience levels, they all shared the same interest and passion for Chinese dance. Participating in these performances with a positive attitude allowed them to excel further.

Reference:

1. Chinese Dance Artistes' Association. (1985)《寻光的舞队》Combined Chinese Dance Showcase. Chinese Dance Artistes' Association.

Kampong Glam Community Centre Dance Troupe

The Kampong Glam Community Centre Dance Troupe was established in April 1974 with four training classes: (1) Performance Class, (2) Youth Class, (3) Boys' Training Class, and (4) Children's Training Class. Except for the Children's Training Class, which is taught by Zhang Meizhen and the Taichi Fan Dance is instructed by Lin Shuxian, the other classes are taught by Yan Choong Lian.

The dance troupe is frequently invited to participate in charity evenings and public entertainment shows organised by external groups, and they have shown outstanding performance in various dance competitions, dance festivals, and arts festivals.

Reference:

1. Singapore Phoenix Dance Troupe. (1982) 《仲夏舞展》Zhong Xia Wu Zhan.

Adage Dance Circle

Adage Dance Circle (ADC) was established by Evelyn Leow Chai Foon in 2001. It evolved from the immensely successful The X Factor Dance Company was formed in 1995.

ADC has always been playing an active role in promoting dance in the community, not only as a form of performing arts but also as a dance education. It aims to nurture young talents through creative and quality dance training and to continue upgrading the local artistic standard to a higher level through various arts activities.

ADC has participated in numerous local events such as the Singapore Arts Festival, Late Nite Series, National Day, Chingay parade, Chinese New Year light-up ceremony and Mid-Autumn Festival celebration. Besides public performances, ADC has also organized activities such as arts excursions, workshops and dance camps to upgrade the members' dance techniques and widen their knowledge. It has also invited both local and foreign choreographers and dance instructors to provide other forms of dance.

Reference:

1. Chinese Dance Artistes' Association. (2004) 《鹤舞共鸣》Dancing in Unity.

Ai Tong Alumni Association Dance Troupe

Established on 25 October 1996, the Ai Tong Alumni Association Dance Troupe traces its origins back to 1994 when the Association invited Chen Jin, a distinguished dancer from the China Central Opera and Dance Troupe, to conduct Chinese Dance Classes (specifically Folk Dance Classes). These classes served as the genesis of the troupe, providing a platform for enthusiasts to delve into the rich heritage of Chinese dance.

Recognising the importance of honing technique and fostering growth, the Association made a pivotal decision to engage Chinese dance choreographers. These professionals were instrumental in training and rehearsing with the troupe, elevating the standard of performance and enriching the learning experience for members. Through this collaboration, members not only refined their skills but also gained a deeper understanding of the nuances of the art form.

Supported by the Association and guided by seasoned dance professionals, the troupe steadily evolved, both in its composition and performance calibre. This growth is a testament to the unwavering dedication of its members to the craft of dance. Their commitment, coupled with the nurturing environment provided by the association and mentors, has propelled the troupe to new heights, embodying the spirit of artistic excellence and camaraderie.

Reference:

1. Ai Tong Alumni Association. (1997) 《文娱晚会》Dance Reflection.

Bukit Batok Community Club (CC) Chinese Cultural Dance Troupe

The Bukit Batok Community Club (CC) Chinese Cultural Dance Troupe was established in 1989 with Ms. Ng Siew Moy and Ms. Ng Siew Kim as the initial instructors.

In 1993, Ms. Tan Kwa Hua was appointed as the artistic advisor for the Troupe. To enhance the skills of its members, the Troupe organises dance training camps and has invited renowned dance professionals such as the late Mr. Tay Hong Lim, Mr. Cheng Shu Jing, Ms. Wang Huili, and Mr. Zhao Bin to act as guest instructors. Additionally, the Troupe actively supports and participates in the country's "Chinese Culture Month" by organising a "Chinese Cultural Dance Camp."

In 1996, the Troupe was invited by the Arts Council to perform at the opening ceremony of the ASEAN Dance Festival. The following year, in 1997, they were again invited by the National Arts Council to perform at Bukit Batok Town Park.

The Troupe regularly performs at community events and festivals, including the Chinese Culture Month, Singapore Dance Festival, and Singapore Art Festival. Their talent has also been showcased internationally, with performances in Indonesia, Thailand, Denmark, and other countries, earning widespread acclaim.

In 2000, Ms. Yang Qing took over as instructor for the Troupe, continuing its legacy of promoting Chinese cultural dance.

Reference:

1. Chinese Dance Artistes' Association. (1991)《生之环》Sheng Zhi Huan.

2. (1996)《华族文化节 96》Chinese Cultural Festival.

3. Chinese Dance Artistes' Association. (1998)《鹤舞共鸣》Dancing in Unity.

Marine Parade Community Centre (CC) Dance Troupe

Marine Parade Community Centre (CC) Dance Troupe originated in 1983, evolving from a children's dance class initiated in 1981. Under the artistic direction and choreography of Ms. Low Mei Yoke, the troupe's primary aim is to advance the art of dance, blending themes from Chinese heritage with contemporary influences. Their repertoire consists of modern dances infused with the essence of Chinese culture and a contemporary sensibility.

An integral part of their outreach involves engaging with schools and offering complimentary demonstrations to cultivate young people's interest in the performing arts. Their inaugural public performance took place in 1983 at the Dance Festival organised by the Ministry of Culture, marking the beginning of their journey on the public stage. Beyond local engagements, the troupe has received invitations to perform at various educational institutions, associations, CC, and the People's Association Headquarters.

Furthermore, their international footprint expanded with a notable performance in Hong Kong in 1991, showcasing their talent and spreading the essence of Chinese-inspired contemporary dance beyond national borders.

Reference:

1. Chinese Dance Artistes' Association. (1985)《寻光的舞队》Combined Chinese Dance Showcase.

2. Chinese Dance Artistes' Association. (1989)《古韵新意》Gu Yun Xin Yi

3. Chinese Dance Artistes' Association. (1991)《生之环》Sheng Zhi Huan.

Min Zu Dance Troupe

The Min Zu Dance Troupe was founded on 21 September 1979, officially joining the growing ranks of dance in Singapore, by thirteen like-minded friends. The passion for dance soon turned into a passion for promoting cultural activities. The Min Tzu Dance Troupe is made up of young people from all walks of life and students, all of whom share the same goal of enriching themselves regardless of their rank. Since its inception, the Min Zu Dance Troupe has been invited to perform at the celebrative events organised by Community Centres and societies.

The dance 《反弹琵琶乐天》"Fan Tan Pi Pa Le Tian" choreographed and directed by Charlie Tan won the Best Performance Award in Singapore Arts Festival 1980 and was invited to perform at the "Festival Highlights Night".

Reference:

1. New Nation. (1980) Phoenix Rises From The Ashes. National Library Board.

2. Singapore Phoenix Dance Troupe. (1982) 《仲夏舞展》Zhong Xia Wu Zhan.

Mountbatten Community Centre (CC) Dance Group

Mountbatten Community Centre (CC) Dance Group was formed in 1976. Under the enthusiastic guidance of its mentor, Lee Pang Luan, its performances have been well received and appreciated.

Reference:

1. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity.

National Dance Company

Established in 1970 under the Ministry of Culture, the National Dance Company made a significant debut at the Adelaide Festival of Arts in 1972, setting the stage for its ongoing success. Committed to uniting individuals passionate about Singapore's traditional ethnic dance forms, the company has once boasted over 80 part-time members, encompassing choreographers, dancers, and musicians.

With diverse backgrounds encompassing ballet and cultural dance, members maintain the company's esteemed performance standards through diligent rehearsals. Despite varied professions, their shared dedication to the art is evident, as each member is selected through competitive auditions for their talent and commitment.

From local celebrations to international exhibitions, the company's performances serve as vibrant showcases of Singapore's cultural heritage. Notable among these is "A Century in Dance," a poignant portrayal of Singapore's history presented during the 1980 National Day celebrations. Throughout its journey, the National Dance Company has remained a steadfast ambassador of Singaporean culture, both domestically and internationally.

The Company was disbanded in 1985, and the Ballet group newly formed in 1984 later became Singapore Dance Theatre, now known as the Singapore Ballet.

Reference:

1. National Dance Company. (1985) Press Release for Public Performance by National Dance Company. National Archive.

2. Dr. Francis Yeoh. (2019) The Singapore National Dance Company: Reminiscences of an Artistic Director. SPAFA.

3. National Library Board. Singapore Dance Theatre is formed. National Library Board.

National Theatre Chinese Dance Company

To promote and improve the standard of local Chinese Dance in Singapore and its teaching methods, the National Theatre Trust (NTT), invited the Hong Kong Chinese folk dance expert, Mr Cheng Shu Jing to conduct a 3 months dance class at the Trust during May 1979. However, due to overwhelming registration responses, the second term of 3 months of classes was conducted immediately. A graduation concert, “An Evening of Chinese Dances” performed by a cream of the best dancers in the classes was staged in November 1979.

The graduation concert was the impetus for the establishment of the National Theatre Chinese Dance Company (NTCDC), which was successfully registered under the National Theatre Board of Trustees in 1980. The objectives were to raise the standard of local Chinese dance, to promote mutual assistance/cooperation amongst the various Chinese dance companies and to train successors in the field of Chinese dance.

In addition, a mixed orchestra of Chinese and Western musical instruments was formed in 1982 to assist NTCDC in composing music for dances and exploring new forms of performance (dances with live accompaniment). The dance practice room and orchestra practice room on the second floor of the National Theatre were the first venue for NTCDC.

NTCDC also spares no effort in nurturing a new generation of talented performers and choreographers. NTCDC actively organizes various courses for enrolment, and observational sessions. Young talented performers were given opportunities to choreograph new dances. They also invite famous choreographers/dancers from Singapore and abroad to give lessons to the dancers. The first dance trainer was Hong Kong dancer Mr. Cheng Shu Jing. Past dance instructors include Mdm Liao Lili, Mdm Ye Biling, Ms. Wang Huili, Ms. Ding Hong, Mr. Zhou Lei, and Mr. Bai Yingwen.

The first concert of NTCDC was "An Evening of Chinese Dance 1981", subsequently "Dances of the Orient" was named as the title of the concert in 1982. Since then, "Dances of the Orient" has become synonymous with the NTCDC annual performances. " Dances of the Orient" mainly performed dances and music, including local traditional/modern Chinese dances, China Chinese classical/folk/ethnic dances, modern/ballet dances, and oriental dances from Malaysia, Indonesia, India and other eastern countries. Every year, the troupe actively explores new ways and forms of performance, new themes, and invites choreographers from many countries to enrich the dance concerts. Over the years, NTCDC has not only trained many outstanding dancers and passed down the Oriental dance culture for nearly 30 years, but also gained a strong friendship and ties of loyal friends who were the backstage crew, and professional video/photographers/stage designers.

From 1981 to 1991, NTCDC presented nine "Dances of the Orient" performances, and from 1993 to 2010, the Theatre Arts Troupe (TAT) presented 15 Dances of the Orient" performances, which added up to a total of 24 " Dances of the Orient". During 1980 to 2010, there were a total of 163 performances, 230 dance items, 13 grand and mini dance dramas, 68 local and foreign choreographers and dance teachers, 309 dancers and 69 orchestra members. From 1989 to 2003, they also presented 4 different choreographers/directors' "Yellow River" dances using the music "Yellow River Chorus/Yellow River Piano Concerto".

Both NTCDC and Theatre Arts Troupe (TAT) participated in many performances both at home and abroad, i.e. Singapore Arts Festival, the Dance Festival, the Chinese Orchestra Festival and the Singapore 25th Anniversary National Exhibition. They had been invited to perform overseas in Hong Kong Tsuen Wan Arts Festival and Penang Arts Festival. They were invited to Sibu and Kuching, Malaysia, to present "Dances of the Orient". Some of the outstanding dancers represented the Singapore Tourist Promotion Board to perform in Japan, France, Australia, the United States, New Zealand, West Germany, Scandinavia, etc, where they were highly acclaimed.

When the orchestra was formed in 1982, it was the only mixed Chinese and Western instrumental orchestra in Singapore. The conductors were Mr. Quek Yong Siu and Mr. Yang Xiuwei. After the birth of the first musical concert " Melodies of the Orient" in 1985, the orchestra gradually shifted to concert-oriented activities with a clear focus on production. Other than participation in the "Dances of the Orient", the orchestra presented a total of 8 " Melodies of the Orient " concerts, which featured collaborations with local and international musicians and music enthusiasts. The orchestra ceased its activities after they participated in the 1995 "Dances of the Orient".

After the announcement of the demolition of the National Theatre building, the NTT moved into Kallang Theatre in 1986, and NTCDC also moved to Kallang Theatre in 1987. In 1991, the National Theatre Trust was merged into the National Arts Council and all the recreational groups under the Trust (including the NTCDC) were officially disbanded. In order to continue the activities and mission of the NTCDC, and with the full support of the NTCDC's board advisors, Mr. Chua Gim Siong, Mr. Chua Thian Poh and Mr. Guo Mingxing, the group of arts enthusiasts applied for registration with Registry of Societies (ROS) in 1992. A non-profit organization, the Theatre Arts Troupe (TAT) was formed. TAT received the assistance from National Arts Council to operate as usual in Kallang Theatre. In 1993, TAT moved into the two classrooms on the 4th floor of Telok Ayer Performing Arts Center (TAPAC). After the government announced plans to demolish TAPAC, TAT vacated TAPAC in 2013. TAT eventually deregistered itself from ROS in 2016.

Reference:

1. New Nation. (1980) Right step for Chinese dance.

2. National Theatre Chinese Dance Company. (1991)《东方舞集》Dances of Orient.

3. Theatre Dance Troupe. (1993)《东方舞集》Dances of the Orient.

National Theatre Club Chinese Dance Troupe

National Theatre Club Chinese Dance Troupe, established in 1975, was one of the cultural members of the National Theatre Club. Its predecessor, the National Theatre Club Chinese Dance Group, was formed in 1968. Over the years, the Troupe has contributed to the popularisation of Chinese dance and the development of an appreciation of dance in the country. In addition to providing opportunities for dance enthusiasts to learn and perform, the Troupe has also nurtured a younger generation of dancers, several of whom have begun to take over the baton and nurture the young. At the same time, it organizes physically and mentally stimulating activities for young people who love the art of dance so that we can work together to achieve the goal of a graceful society in our country.

Since its establishment, under the careful guidance of Mr Tay Hong Lim, the Troupe's instructor and choreographer, the members of the Troupe have been practising and studying hard, and their performance standards have been improving day by day. In October 1980, the Troupe presented the "Chinese Dance Gala" at the Victoria Theatre, and in January 1983, the "Spring Chinese Dance Gala", both of which were great successes, with full houses and wide acclaim.

In addition, the Troupe has also participated in major events such as the Singapore Dance Festivals in 1982, 1987 and 1989. The Troupe's performance attracted the attention of dance enthusiasts from neighbouring countries, and the Troupe was invited to tour Sarawak, East Malaysia, three times in 1984, 1986 and 1990, and was well received everywhere.

The Troupe has not only gained a foothold in the Singapore dance scene but has also begun to make its mark on the dance scene in neighbouring countries.

Reference:

1. Nanyang Siang Pau. (1970) 南洋商报赞助筹款国家体育基金国家剧场俱乐部华族舞蹈组将推出绣球舞. National Library Board.

2. Singapore Phoenix Dance Troupe. (1982)《仲夏舞展》Zhong Xia Wu Zhan.

3. Chinese Dance Artistes' Association. (1991)《生之环》Sheng Zhi Huan.

National University of Singapore (NUS) Chinese Dance

Formed in 1977, NUS Chinese Dance has earned a reputation for excellence as an accomplished dance group through the development and performance of a highly challenging repertoire of works, from technically demanding traditional Chinese dance to fresh and evocative Chinese contemporary pieces.

As part of a continued mission to raise the standards of Chinese dance, dancers are given a firm grounding in traditional Chinese dance aesthetics while also being encouraged to explore contemporary styles and choreography as part of their dance development.

Through a combination of performances within NUS and various external engagements, NUS Chinese Dance aims to foster expertise and experience in Chinese dance as well as an appreciation for Chinese culture, striving to bring this unique art form to the masses.

Reference:

1. Chinese Dance Artistes' Association. (1998)《鹤舞共鸣》Dancing in Unity.

2. Wang Yiming. (2017) 国大华族舞蹈团40周年呈献九部经典片段. Lianhe Zaobao.

Nanyang Technological University (NTU) Chinese Dance Club

Founded in 1994, the Chinese Dance Club seeks to promote the essence and spirit of Chinese dance through the creative integration of traditional and modern elements. Members undergo a rigorous dance program that emphasizes both the techniques and values of Chinese dance. The club performs at both NTU and public events.

Through its biennial concerts, dancers gain valuable stage experience and develop their skills as capable managers and leaders.

Reference:

1. Nanyang Technological University (NTU) Chinese Dance Club Website.

Ng Chay Kuang Dance Troupe

Ng Chay Kuang Dance Troupe was founded by Artistic Director Mr Ng Chay Kuang in 1983. The Troupe has participated in many local cultural activities, including "River Hongbao", Chinese Dance Nite, and Chingay Parade. The Troupe was also invited to put up performances on Television programmes. A joint performance recording, "Fen Mo Deng Chang Ying Xin Sui" by Ng Chay Kuang Dance Troupe and Singapore Broadcasting Corporation was featured in the 1993 CCTV Spring Festival Gala.

Reference:

1. Lianhe Zaobao. (1988) 黄捷宽舞蹈团的《花鼓灯》. National Library Board.

2. Lianhe Zaobao. (1993) 舞到民间. National Library Board.

3. Singapore Broadcasting Centre. (1993) 1993年央视春节联欢晚会舞蹈《粉墨登场迎新岁》. China Central Television.

Nrityalaya Aesthetics Society Chinese Dance Group

The Nrityalaya Aesthetics Society (NAS) was founded in 1987 by the late Mr. K. P. Bhaskar, a renowned Indian dancer in Singapore. NAS organizes classes and performances across various arts, including dance, music, fine arts, and calligraphy.

The Chinese Dance Group within NAS was established in 1989 to promote and develop Chinese dance, aiming to foster balanced development in students across morality, intellect, physique, social skills, and aesthetics.

Training for the group follows the Beijing Dance Academy Graded Examination syllabus, supplemented with tumbling techniques to enhance physical flexibility and coordination. Students also get to participate in short-term dance training classes conducted by professionals from various fields, including a cross-cultural dance exchange programme conducted by Mr. and Mrs. Bhaskar, allowing students to experience and appreciate the beauty of diverse cultural traditions and dances.

Reference:

1. Chinese Dance Artistes' Association. (1991)《生之环》Sheng Zhi Huan.

2. Lianhe Zaobao. (1993) “舞到民间”. National Library Board.

Oriental Art Troupe

Established in June 1979, the Oriental Art Troupe is a cultural group that focuses on the development of Oriental arts, supplemented by the arts of the world's ethnic groups. The troupe places special emphasis on the promotion of the arts of the Chinese, Indian, Malay and ASEAN ethnic groups.

Under the tutelage of Wang Xiu Xia, the group's daily activities include basic training in dance technique, folk and ethnic dances, stage art, make-up, costume design, choreography, dance studies, data collection, props effect production, music study, etc. The group is also very active with regular nightly performances.

Reference:

1. Singapore Phoenix Dance Troupe. (1982)《仲夏舞展》Zhong Xia Wu Zhan.

2. Oriental Art Troupe. (1987)《东方舞选》Evening of Oriental Dance.

Pasir Panjang Cultural and Arts Troupe

Pasir Panjang Cultural and Arts Troupe (formerly known as the Pasir Panjang Community Centre Dance Troupe) was formed on 10 September 1983, under the direction of Mr Henry Ng Chay Kuang. The purpose of establishing this Troupe is to cultivate more people's interest in Chinese dance and nurture talented dancers, as well as to impart knowledge of Chinese dance, promote students' understanding and love of dance, and make some contributions to the art of dance.

The Troupe has participated in performances at events organised by the Community Centre, such as the Lantern Festival, Lunar New Year Celebration, Singapore National Day Celebration, Mid-Autumn Festival, Award Presentation Ceremony, etc., and other public performances.

Reference:

1. Chinese Dance Artistes' Association. (1985)《寻光的舞队》Combined Chinese Dance Showcase.

2. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity.

People's Association Talents Chinese Dance Ensemble

The People's Association (PA) Talents Chinese Dance Ensemble has a rich history dating back to 1968 as part of the People's Association Dance Company (PADC). PADC was one of the performing units in the People’s Association Cultural Troupe (PACT), now known as PA Talents, with the primary role of performing at community functions.

This dance company is dedicated to preserving and promoting the diverse cultural heritage of Singapore. The dancers receive training in traditional and modern dance forms, enabling them to perform a wide range of pieces that highlight the richness of Singapore's cultural heritage and the vibrancy of contemporary dance.

Whether performing solo or in groups, the ensemble showcases the spirit and vitality of modern dance alongside traditional elements. PADC participated in the international Chingay Parade and regularly performed at Singapore's National Day celebrations. Additionally, the dance troupe, along with the Malay and Indian dance troupes from the People's Association Arts Groups, represented Singapore on the global stage. They have been invited by international organizations and diplomatic missions to perform in ASEAN countries, Abu Dhabi, Brunei, China, France, Hong Kong, Indonesia, Iran, Japan, Netherlands, Papua New Guinea, South Korea, and Taiwan.

PADC garnered numerous international awards for its unique performance style, which embodies the ethnic diversity of Singapore. Through its dedication to cultural preservation and artistic excellence, the People's Association Talents Chinese Dance Ensemble continues to be a significant cultural ambassador for Singapore even after PADC dissolved in the late 1990s.

Reference:

1. People's Association. (1978) 《全国舞蹈节》National Dance Festival.

2. Singapore Phoenix Dance Troupe. (1982) 《仲夏舞展》Zhong Xia Wu Zhan.

3. Chinese Dance Artistes' Association. (2012)《鹤舞共鸣》Dancing in Unity.

4. Chinese Dance Artistes' Association. (2017)《鹤舞共鸣》Dancing in Unity.

5. Chinese Dance Artistes' Association. (2023)《鹤舞共鸣》Dancing in Unity.

Queenstown Community Centre (CC) Children Chinese Dance Group

The Queenstown Community Centre (CC) Children Chinese Dance Group was established in 1987 with a small group of young children under the assistance of the Youth Executive Committee.

Under the guidance of Ms. Lee Bee Choo, the class size grew, prompting the addition of a junior class.

Beyond performing at the CC's events, the Group was invited to perform at the Chinese Cultural Festival in 1993, the Asian Performing Arts Festival Fringe in 1993, and the Singapore Arts Festival Fringe in 1994.

In addition to participating in performances, the dancers also took part in the Beijing Dance Academy's Chinese Dance Graded Examination.

Reference:

1. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity.

Red Moon Dance Troupe (Singapore)

Established in February 2011, the Red Moon Dance Troupe is an energetic group led by artistic director Ms. Ma Jihong. Known for blending social dance with folk dance, the troupe has captivated many dance enthusiasts with their culturally rich performances.

The troupe frequently performs at elderly homes, community clubs, clan halls, festivals, and charity dinners. A notable performance was at the inaugural NTUC Spring Festival Gala in 2015. They also host annual dance performances and showcases to exhibit their talents to the public.

Red Moon Dance Troupe won the Gold Award and Organisational Gold Award at the Singapore International Arts and Culture Dance Competition in January 2013. They continued their success by winning the Gold Award at the Golden Lion International Dance Competition in 2014 and 2015.

On October 4, 2015, they performed a large-scale show at Victoria Theatre with the Nanyang Music and Arts Association Chorus and Feng Ming Chorus from Taiwan, delivering a memorable visual and auditory experience.

Renowned for their exquisite dance skills and vibrant performances, the Red Moon Dance Troupe continues to innovate and captivate audiences, making them a shining star in Singapore's dance scene.

Reference:

1. yan.sg. (2015）红月亮舞蹈团故事：40+岁在新加坡绽放美丽.

2. @jhma1808. Youtube Channel.

Rochore Community Centre Children Dance Troupe

Rochore Community Centre Children Dance Troupe was established in 1993 under the direction of Ms. Wong Oi Cheng. The troupe's training follows the Chinese Dance Graded Examination syllabus developed by the Beijing Dance Academy, and students are required to participate in the annual accreditation process. In addition to Chinese dance, students learn Malay dance, Indian dance, and children's modern dance during their vacation breaks to promote cultural exchange and foster harmonious coexistence among different ethnic groups. The troupe is frequently invited to participate in festivals and performances, consistently receiving positive feedback.

Reference:

1. Chinese Dance Artistes' Association. (1998)《鹤舞共鸣》Dancing in Unity.

Ta Ge Dance Theatre

Established in 1995, Ta Ge Dance Theatre was under the artistic direction of Ms. Chang Hsiao Min. The troupe has been invited to participate in various performances, including arts festivals, dance festivals, Asian performing arts festivals, Chingay parades, and Chinese festive celebrations.

In 1996, to celebrate its first anniversary, the troupe presented its inaugural dance production, "Sail to the Dream," and represented Singapore at the International Carnival in Johor Bahru, Malaysia. In 1997, the troupe was invited to Yunnan, China, for an exchange program, where they performed "Sail to the Dream" at the Yunnan Arts Institute. In return, representatives from the Yunnan Arts Institute visited Singapore and collaborated on the joint production "Gou Qing" at Victoria Theatre.

These activities not only demonstrated the artistic strength of the company but also brought exceptional dance performances to local and international audiences, making positive contributions to the promotion and development of dance art exchanges.

Reference:

1. Ta Ge Dance Theatre. (1998)《勾情》Gou Qing.

Tampines Arts Troupe

Tampines Arts Troupe (previously known as Lee Shu Fen & Dancers Society) has been a non-profit registered society since June 1991. It all began in 1988 when a group of students of the late Ms. Lee Shu Fen formed the Lee Shu Fen and Dancers Society to stage a farewell performance for her, which was met with great acclaim at the Singapore Dance Festival in 1989.

In June 1991, the Society was formally established to preserve and promote Chinese dance. It organized dance classes and participated in public performances. The dance training covered various forms such as classical, folk, martial arts, ballet, and contemporary dance, requiring the hiring of several experienced choreographers to train the dancers.

The Society was active in the Singapore Dance Festival in 1989 and 1991 and in the public performance "Journey Through Dance" at the Victoria Theatre in 1993.

In 1995, the Society published "A Life in Dance: Lee Shu Fen" to record and honour Ms. Lee Shu Fen's challenges and accomplishments, marking the first local album dedicated to the artistry of a professional dancer.

In September 1997, the company was officially renamed "Tampines Arts Troupe" to diversify the cultural scope of the group to embrace dance, song, and music, reflecting their cultural heritage.

Since then, the Troupe has become an active cultural group in Singapore, particularly in Tampines, known for its Chinese dance activities. The Troupe performs for cultural outreach to the community and charity organizations. Almost every year, they stage the “Spring In Our Midst” concert series at the Tampines Cultural Centre. Additionally, they have presented larger-scale performances titled "Dance Attraction" at external theatres in 2002, 2006, 2008, 2017, 2019, and 2024. Due to the COVID-19 pandemic, the Troupe adapted by producing its first digital performance, "Dance Attraction 2021," which was presented online.

Reference:

1. Lianhe Zaobao. (1989) 水袖飘舞红楼梦李淑芬告别演出. National Library Board.

2. Chinese Dance Artistes' Association. (1994)《鹤舞共鸣》Dancing in Unity.

3. Lianhe Zaobao. (1995) 李淑芬专辑《舞影蹁跹六十年》出版. National Library Board.

4. Xin Ming Ri Bao. (1997) 李淑芬舞蹈团批准易名淡滨尼艺术团. National Library Board.

5. Tampines Arts Troupe Website.

Tanjong Pagar Community Centre Chinese Dance Group

The Tanjong Pagar Community Centre Chinese Dance Group was established in 1988, primarily comprising student members. Under the guidance of Ms. Leong Siew Yeng, the group has participated in events such as the "Singapore Dance Festival '91" and "River Hongbao," delivering outstanding performances.